Produced by Portishead co-founder Geoff Barrow, this scabrous though slight first film turns a sceptical eye on 90s rave culture. Venal pillhead David (Marc Bessant) initially steals from an passed-out supplier, then in another flashback tries to burgle his own parents. In no time, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the rave-era youth were primarily out for themselves – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman turns up, enraged after David kills his dog. Nevertheless, a grimly amusing duel takes hold – David desperate to escape; the Poacher denying his container of cider, determined to soaking him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Vibe
Just a single key story turn, but it results in a comically executed rampage on the woodland paths that veers toward folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
Game is in UK and Irish cinemas from 17 November.
